उत्तिष्ठोत्तिष्ठ भद्रं ते न त्वम् अर्हस्य् अरिंदम ॥
मोहं नृपतिशार्दूल गन्तुम् आविष्कृतः क्षितौ ॥
एवम् उक्तो ऽथ नृपतिर् वाचा मधुरया तदा ॥
ददर्श विपुलश्रोणीं ताम् एवाभिमुखे स्थिताम् ॥
अथ ताम् असितापाङ्गीम् आबभाषे नराधिपः ॥
मन्मथाग्निपरीतात्मा संदिग्धाक्षरया गिरा ॥
uttiṣṭhottiṣṭha bhadraṃ te na tvam arhasy ariṃdama ||
mohaṃ nṛpatiśārdūla gantum āviṣkṛtaḥ kṣitau ||
evam ukto 'tha nṛpatir vācā madhurayā tadā ||
dadarśa vipulaśroṇīṃ tām evābhimukhe sthitām ||
atha tām asitāpāṅgīm ābabhāṣe narādhipaḥ ||
manmathāgniparītātmā saṃdigdhākṣarayā girā ||
Tapati said: "Rise, rise, good fortune to you; it is not fitting for you, O tiger-king renowned upon the earth, to fall into confusion, O tamer of foes." Thus addressed in a sweet voice, the king then saw her, full-hipped, standing right before him, and spoke to that dark-eyed maiden, his soul engulfed by the fire of Manmatha, in speech with faltering syllables.
2b98c2c3c5e0 · 发布于 2026年7月12日 17:29:43 UTC
可用语言RUEN用方向键翻颂
Here the maiden, even while loving him, calls the king to dignity. It is telling that her first word is not an encouragement of passion but a summons to rise: "it is not fitting for you, glorious one, to fall into confusion" — she cares for his honor more than he does himself. In this is a nobility that, even in love, does not flatter weakness but lifts up the beloved. Telling too is the king's condition — "speech with faltering syllables": passion robs him even of mastery over his own words. So the verse shows that true affection calls one to dignity, while unchecked passion strips it away.