奥义书 · Bhāvanā p9
॥
天城文
नियतिसहिताः शृङ्गारादयो नव रसा अणिमादयः
转写 (IAST)
niyatisahitāḥ śṛṅgārādayo nava rasā aṇimādayaḥ
逐字释义
梵语IAST释义
नियति-सहिताःniyati-sahitāḥtogether with destiny
शृङ्गार-आदयः नव रसाःśṛṅgāra-ādayaḥ nava rasāḥthe amorous and the other nine moods
अणिमा-आदयःaṇimā-ādayaḥare Aṇimā and the rest
译文
Together with destiny, the amorous and the other nine moods are Aṇimā and the rest.
版本
8f6f0ce07804 · 发布于 2026年8月12日 05:00:00 UTC
可用语言RUEN用方向键翻颂
The nava-rasa, "nine moods," are named, and this is not a theological list but one from the science of poetry. The count is this: śṛṅgāra — the amorous; hāsya — the comic; karuṇā — the pathetic; raudra — the wrathful; vīra — the heroic; bhayānaka — the terrible; bībhatsa — the repulsive; adbhuta — the marvelous; śānta — the peaceful. This mapping goes back to Bharata's Nāṭya-śāstra and is the foundation of all Indian poetics.
Its appearance in a book about a diagram is unexpected and good. The nine moods are equated to the eight siddhis with one added; that is, what a person experiences is set in the place of what he possesses. The Vaiṣṇava side makes more use of this count than anyone else and has remade it for her own purposes. In Rūpa Gosvāmī's Bhakti-rasāmṛta-sindhu, the same moods are mapped as kinds of relationship toward God: peaceful, servile, friendly, parental, and amorous — five chief ones, with seven subsidiary ones alongside them.
This remaking is instructive and worth mentioning. Poetics described what happens to a spectator watching another's life; and here the same names are applied to what happens to a person turned toward God. And the conclusion follows directly: the relation to Him is described in the language of feelings, not of concepts — otherwise poetics would not have been needed for it.