Upaniṣads · Yogakuṇḍalinī 1.48
॥
Devanāgarī
तस्मादुड्डीयणाख्योऽयं योगिभिः समुदाहृतः । सति वज्रासने पादौ कराभ्यां धारयेद्दृढम्
Transliteración (IAST)
tasmāduḍḍīyaṇākhyo'yaṃ yogibhiḥ samudāhṛtaḥ | sati vajrāsane pādau karābhyāṃ dhārayeddṛḍham
Palabra por palabra
SánscritoIASTSignificado
तस्मात् उड्डियाण-आख्यः अयंtasmāt uḍḍiyāṇa-ākhyaḥ ayaṃtherefore this, called "flying-up"
योगिभिः समुदाहृतःyogibhiḥ samudāhṛtaḥis proclaimed by yogis
सति वज्र-आसने पादौsati vajra-āsane pādauwhen in the diamond posture, both feet
कराभ्यां धारयेत् दृढम्karābhyāṃ dhārayet dṛḍhamwith the hands shall he hold firmly
Traducción
"Therefore this is proclaimed by yogis "flying-up". When in the diamond posture, both feet shall he hold firmly with the hands".
Versión
2bc2a1c1249f · publicado 12 ago 2026, 5:00:00 UTC
Disponible enRUENPasa de verso en verso con
The name is explained and closed, and the description of the body's position during this lock begins. Worth noting is how this whole book is built: name, explanation of the name, position of the body, action, benefit. This order is kept from the start and makes the exposition clear.
A good word must be said about the very cast of such treatises. They do not philosophize and do not preach; they describe how a thing is done — and so they can be checked. Herein lies their difference from the books examined before. Tripuratapini, Bhavana, and Rudra-hridaya are treatises that assert; Yoga-kundalini is a treatise that demonstrates. And one must dispute not its content, but what it promises beyond its content.
The Vaishnava side treats such a cast with respect and has compositions of the same kind of her own: manuals on service, setting down how to clean, how to cook, how to dress, how to receive a guest. These compositions are honored in her literature on a level with theological ones, and their compiler, Sanatana Gosvami, stands in her ranks alongside the theologians. The reason is simple. Teaching is expounded by arguments, but lived by hands; and a book explaining what to do with one's hands is not a lower class of writing, but the necessary other half of the matter.