अद्भ्यः स्तोका यान्ति यथा पृथक्त्वं; ताभिश् चैक्यं संक्षये यान्ति भूयः ॥
एवं विद्वान् प्रभवं चाप्य् अयं च; हित्वा भूतानां तत्र सायुज्यम् एति ॥
दिव्यावृतौ मानसौ द्वौ सुपर्णाव्; अवाक्शाखः पिप्पलः सप्त गोपाः ॥
दशाप्य् अन्ये ये पुरं धारयन्ति; त्वया सृष्टास् ते हि तेभ्यः परस् त्वम् ॥
भूतं भव्यं भविता चाप्य् अधृष्यं; त्वत्संभूता भुवनानीह विश्वा ॥
adbhyaḥ stokā yānti yathā pṛthaktvaṃ; tābhiś caikyaṃ saṃkṣaye yānti bhūyaḥ ||
evaṃ vidvān prabhavaṃ cāpy ayaṃ ca; hitvā bhūtānāṃ tatra sāyujyam eti ||
divyāvṛtau mānasau dvau suparṇāv; avākśākhaḥ pippalaḥ sapta gopāḥ ||
daśāpy anye ye puraṃ dhārayanti; tvayā sṛṣṭās te hi tebhyaḥ paras tvam ||
bhūtaṃ bhavyaṃ bhavitā cāpy adhṛṣyaṃ; tvatsaṃbhūtā bhuvanānīha viśvā ||
"As drops become separate from the waters, and with those waters attain unity again at dissolution — so the knower, having known the source [the origin] and [this world], having abandoned the separateness of beings, attains there [in You] sayujya [union]. The two bird-suparnas, divinely hidden, mental [manasa]; the pippala [tree] with branches downward; the seven herdsmen [gopas]; and ten others that sustain the citadel [the body] — by You they were created, for You are above them; the past, the future, and what is to come, the unconquerable — from You have arisen here all the worlds."
85452d997865 · publicado 19 jul 2026, 17:12:46 UTC
Disponible enRUENPasa de verso en verso con
The hymn introduces the hidden images of the Upanishads — the two birds on the tree, the inverted pippala, the seven and ten [powers], the citadel-body: all is created by the Highest and dissolves back into Him, like drops into water. It is notable that liberation is compared to a drop returning to the ocean: what is scattered attains unity in the Source. The verse teaches that the jivas, once separated, languish in multiplicity, while the knower, having known the Source, returns to union with Him; and the end of the spiritual path is not annihilation but reunion with the One from whom all things came forth.