उपनिषद् · Chāndogya 1,3.12
॥
देवनागरी
आत्मानम् अन्ततः उपसृत्य स्तुवीत कामम् ध्यायन् अप्रमत्तः अभ्याशः ह यत् अस्मै सः कामः स्मृध्येत यत्कामः स्तुवीत इति यत्कामः स्तुवीत इति
लिप्यंतरण (IAST)
ātmānam antataḥ upasṛtya stuvīta kāmam dhyāyan apramattaḥ abhyāśaḥ ha yat asmai saḥ kāmaḥ smṛdhyeta yatkāmaḥ stuvīta iti yatkāmaḥ stuvīta iti
शब्दशः अर्थ
संस्कृतIASTअर्थ
आत्मानम्ātmānambody; the self
अन्ततःantataḥat the end; at the last
उपसृत्यupasṛtyahaving drawn near (upa-√sṛ); having approached; having resorted
स्तुवीतstuvītalet him chant praise; let him praise
कामम्kāmamas much as you wish; as you wish
ध्यायन्dhyāyancontemplating (from √dhyai); holding in mind; thinking with concentration
अप्रमत्तःapramattaḥattentive (a-pramatta); without wandering; undistracted
अभ्याशःabhyāśaḥlikelihood; nearness
हhaindeed; surely
यत्yatwhich; that which
अस्मैasmaifor him; to him
सःsaḥhe; that one
कामःkāmaḥdesire; a wish, not a need
स्मृध्येतsmṛdhyetait will come to pass (from √ṛdh — 'to prosper'); it will be fulfilled; it will succeed
यत्कामःyatkāmaḥhaving whatever desire; desiring what
स्तुवीतstuvītalet him chant praise; let him praise
इतिitithus; how
यत्कामःyatkāmaḥhaving whatever desire; desiring what
स्तुवीतstuvītalet him chant praise; let him praise
इतिitithus; how
अनुवाद
And at the end, having drawn near to himself, let him sing praise, contemplating the desire — attentively: soon will that desire be fulfilled for him with which he sings praise, that desire with which he sings praise.
संस्करण
11588da600d9 · प्रकाशित 26 जुल॰ 2026, 10:28:09 pm UTC
उपलब्ध भाषाएँRUENश्लोक बदलें इन कुंजियों से
The close of the practicum of refuges: ātmānam antata upasṛtya — "and at the end, having drawn near to himself": having gone round the seven outward refuges (melody, verse, seer, deity, metre, stoma, quarter), the singer returns to the eighth — to himself: the last refuge of a chant is the chanter, gathered and standing in presence.
kāmaṁ dhyāyann apramattaḥ — "contemplating the desire, undistracted": the sacrificer's wish is held in mind clearly and without wavering (apramatta — the perennial Upaniṣadic condition: the Kaṭha, the Muṇḍaka!); and the promise: abhyāśo ha yad asmai sa kāmaḥ samṛdhyeta — "soon will that desire be fulfilled for him". The double repetition of yat-kāmaḥ stuvīteti is the seal of the khaṇḍa's end. The upshot of the whole section: effective prayer = seven bows outward + collectedness within + a clear image of what is asked; a scattered chant is a sieve, a gathered one a vessel.